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Print, Visuality, and Gender in Eighteenth-Century Satire: “The Scope in Ev’ry Page” (Routledge Studies in Eighteenth-Century Literature) Pdf

Download Print, Visuality, and Gender in Eighteenth-Century Satire: “The Scope in Ev’ry Page” (Routledge Studies in Eighteenth-Century Literature) Pdf

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Book Description:

This analysis interprets eighteenth-century satire’s nicely-recognized typographical obsession as a fraught response to the Enlightenment’s "ocularcentric" epistemological paradigms, in addition to to a print-cultural second acknowledged by book-historians as extra and extra "seen" — a second at which widespread consideration was being paid, for the first time, to format, format, and eye-catching selling strategies. On the one hand, the Augustans have been glad of the facility of their elaborately printed texts to carry out as a kind of optical gear rivaling that of the New Science, enhancing readers’ bodily however in addition moral imaginative and prescient. Then once more, they feared that an excessively scrutinizing gaze might undermine the viewer’s pure faculty for candor and sympathy, delight and need. In readings of Pope, Swift, and Montagu, Mannheimer reveals how this distrust of the empirical gaze led to a reconsideration of the ethics, and most notably the gender politics, of ocularcentrism. Whereas Montagu effected this reconsideration by immediately satirizing every the interval’s faith in the seen and its attendant publishing strategies, Pope and Swift pursued their critique by means of print itself: thus whether or not or not by means of coping with-web web page translations, fictional editors, or disingenuous footnotes, these writers sought to ensure that typography on no account turned each a mere software of (or objective for) the objectifying gaze, nevertheless considerably that it remained a dynamic and interactive medium by which readers may research every to see and to see themselves seeing.




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