Shifting understandings and ongoing conversations about race, celebrity, and protest in the twenty-first century identify for a greater examination of the evolution of dissent by black celebrities and their reception in the public sphere. This book focuses on the means the mainstream and black press have coated situations of controversial political dissent by African American celebrities from Paul Robeson to Kanye West. Jackson considers the following questions: 1) What distinctive company is obtainable to celebrities with racialized identities to present critiques of American custom? 2) How have journalists in every the mainstream and black press restricted or facilitated this company via framing? What does this say about the numerous place of journalism in American racial politics? three) How have framing tendencies relating to those figures shifted from the mid-twentieth century to the twenty-first century? By way of a set of case analysis that moreover consists of Eartha Kitt, Sister Souljah, and Mahmoud Abdul-Rauf, Jackson illustrates the shifting public narratives and historic moments that every prohibit and permit African American celebrities in the wake of making public politicized statements that critique the accepted racial, monetary, and military methods in the United States.
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